Tampopo

Tampopo is a heartfelt RPG adventure with unique physics based combat. It is set in a strange world with strange characters. It is a lighthearted game that will make you laugh but it has a hidden darkness to itself which will gently unfold until it wraps all the way around you.

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Tampopo is a heartfelt RPG adventure with unique physics based combat. It is set in a strange world with strange characters. It is a lighthearted game that will make you laugh but it has a hidden darkness to itself which will gently unfold until it wraps all the way around you. It is meant to be played alone, but if someone you love is watching you play, that might be even better.

I Am making this game all by myself. This project means everything to me, it represents who I am as an artist and I can't wait to have you play it. -Calman

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윈도우OS 맥OS
어드벤처 RPG
영어, 일본어
http://calman.de

블로그 포스트 정보

  • 블링블링도희네 ` 민들레종 360도 칫솔 ]

    뒷쪽 공략 ! 성공 ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ 이제 두근두근 오픈 !!!!!!!!!!!!!!!!!!!' 오호... * 국제특허 취득 제품 민들레종은 TAMPOPO 브랜드로서 일본 뿐 아니라 미국,중국에서도 국제특허를 받은...


관련 기사

  • How Eggs Became a Luxury

    IN ARGUABLY THE most virtuosic use of food in cinema, from the 1985 movie “Tampopo,” a... Part of the thrill in “Tampopo” is seeing something so ordinary, so basic, transformed into an...
  • 선악·도덕 경계 지우고 서부의 생얼을 들추다

    1985년작 이타미 주조 감독의 ‘담뽀뽀(Tampopo)’를 홍보할 때 ‘라멘 웨스턴’이라는 단어가 처음 사용됐다. ‘담뽀뽀’는 라멘이라는 음식을 차용했지만 악당과의 대결, 도전과 갈등, 정의와 보복, 주인공의 여정 등...
  • ‘The Taste of Things’ Review: Love, Loss and Loins of Veal

    Like other members of the cinematic food canon — “Tampopo,” “Eat Drink Man Woman,” “Babette’s Feast,” “Big Night” — “The Taste of Things” is not just an excuse to look...
  • One Indelible Scene: A Lovingly Prepared Meal in ‘The Taste of Things’

    or “Tampopo.” As in all great food movies — and shows, too, like “The Bear” — the food is both the point and not the point at all. A great feast says something about the world and...
  • A Floral Designer Who Heightens the Drama of Nature

    (She counts both the work of the German Neo-Expressionist choreographer Pina Bausch and the raunchily absurd Japanese comedy “Tampopo” as touchstones.) She traces her resistance to literalism...

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